Many writers try, but few capture, as Brandon Taylor does, the aesthetic texture of life under late capitalism in America: its petty cruelties, chewy atmospheres, and taut social relations. More expansive in terms of scope and characterization than his debut, Real Life – in which we view life mainly through the lens of a single protagonist – The Late Americansmakes a tour into, through, and between the lives of a band of troubled souls living in an Iowa college town.
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