Happy June! There are so many exciting events around the corner, including the Lambda Literary Awards. But as you recoup from Pride or if you just want to celebrate from your couch, we have some great recommendations straight from the staff of Lambda Literary!
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How does one write of a self that is fundamentally displaced? Are our bodies really our own? Who on Earth understands what we are here for? What does it mean to be a body of movement and slippery definitions in a world that runs on categorization, separation, and the exhausting desire to know? What can we learn from the gestures of fish, from water, if we dare to listen and invite them to baptize us? Read More
“Once upon a time, I wrote a fairy tale…It’s about a young man whose heart is dying.” Silvera first released They Both Die at the End in 2017, but thanks to the book trending on TikTok in 2020, the novel hit the bestseller list for the first time years after its publication. Five years after the first novel’s release, Silvera’s prequel, The First to Die at the End, hit shelves. The magic trick New York Times bestselling author Adam Silvera pulls off with his Death-Cast series is inherent in the novels’ titles. While both titles specifically give away the central plot and ending, Silvera still takes readers on a journey of love and life that will have them hoping for anything but the inevitable outcome. Read More
Miah Jeffra's American Gospel (Black Lawrence Press, $ 26.95) questions the idea of the American dream in a braided novel that weaves together how race, sexuality, gender, and class are affected when a developer begins displacing a neighborhood in a bid to make an amusement park. The novel is told in three voices, Peter Cryer, a queer mixed-race teenager navigating love and desire; Ruth Anne, his Irish Appalachian mother living in fear of domestic abuse by her estranged partner; and Thomas, a teacher and brother at the private Catholic school where Peter attends on scholarship. The three perspectives reveal an America struggling to find itself in the wake of commercialism, addiction, and toxicity. In each case, powerlessness leads to violence; this overarching theme of Gospel spans gender, sexuality, race, and class, as nearly every character or institution is affected by conditions created by white-collar corruption. Read More
May means the start of freedom for so many of us. No school, no teaching-- even summer Fridays! But for us who are still 9-5ing it, we remember what the smell of cut grass meant to us as kids: reading in the park, or long visits to the library. And we have just the books to scratch that itch! This list is full of exciting and intriguing writing, including a memoir by the Inaugural J. Michael Samuel Prize, Jobert Abueva; new YA from Lammy winner Abdi Nazemian; and new books from Lammy finalists Stephanie Adams-Santos and Nicole Melleby Read More
And to pick up where I left off, a few more poets of this generation particularly stand out. Saeed Jones’ Prelude...
As I previously mentioned, Cave Canem and the Lambda Literary organization helped mentor many of these Black, Queer, Trans, and Millennial poets. These poets were also shaped by the growth in MFA writing programs and the rise in both print and online literary zines, as well as small presses. The latter development quickly expanded opportunities for POC queer and trans poets to be read, discussed, and studied. Of course, this Millennial generation of queer POC poets had also been fostered by the advent of many POC community-based writing collectives. Read More
Queer life in New York City has always lent itself well to poets. From established voices like Eileen Myles to newer ones like Kay Gabriel or Maggie Milliner, the rhythms and dynamics of life lend themselves well to verse. And now Cat Fitzpatrick, an editor, co-publisher of LittlePuss Press and poet, has gently satirized the Brooklyn queer scene in her new book The Call-Out, available now from Seven Stories Press. Read More
This series is divided into three sections. I decided to narrow my focus from other POC poetic communities, not to...
For the same reason that I like slashers— they could realistically happen if you forgive superhuman strength in the case of some of the killers in the Scream franchise and are primarily driven by interpersonal drama— I enjoy thrillers. Books that seek to shock and surprise. When done well, these books take plausible scenarios like a missing wife, the discovery of a lost and forgotten body, or the scintillating reveal of a seemingly good person who did a bad thing and turn them into an emotional rollercoaster. And Kelly J. Ford does a thriller right. Read More